Review: Finneas’ ‘Optimist’ Successfully Breaks the Pop Mold | Way of life


(Interscope recordings)

In his latest album, “Optimist”, Finneas is unafraid of the truth with his honest lyrics amid heavily produced backbeats, acoustic guitar and dark piano tracks.

Her debut album, released on October 15, follows the release of over 20 singles, the expanded play album “Blood Harmony” and its deluxe version. The album offers an artistic take on the saying “expect the worst, but hope for the best” through its lyricism and production of sheet music throughout the 13-track album.

The album opens with “A Concert Six Months From Now” which serves as an introduction to the post-pandemic world. The acoustic guitar squeezes the song to mimic the desire for live music and concert culture expressed in the lyrics.

He uses the metaphor of a man who is desperately fighting for a relationship left in the air, simply buying concert tickets for the future: “I already bought two seats for their show / Guess I’m optimistic, ”sings Finneas at the closing. the first stanza.

Chaos ensues for a brief moment in the aggressive tone of the lyrics and the seemingly random musical score, as the track climaxes. “Can I take you to a concert in six months?” The song concludes, leaving the listener with a lingering sense of hope.

After the emotionally charged song is the unexpected “The Kids Are All Dying”. A striking title that confronts the political and cultural issues that exist within society is accompanied by an upbeat tune to create an interesting atmosphere for the song.

The choir uses irony in singing about love, drugs and sex when there are far bigger issues facing society. He scrutinizes the superficiality of life and the art in which we devote ourselves to escape from everyday problems.

Finneas’ apocalyptic approach to lyricism continues through “Happy Now?” and “Only one life.”

“So drive around town in my douchebag car / Like the superstar I pretend to be,” sings Finneas in “Happy Now?”, While drawing attention to the lack of accomplishment of money, celebrity and facade of a public profile. Like Finneas, he includes whistling as his only sound.

In “Only a Lifetime”, Finneas dives into aging and clings to the precious moments that mark you a lifetime; “It’s staying up too late at night and laughing under the kitchen lights / So loud you start to cry,” he sings.

“The 90s” is the hit of the album, reflecting pre-internet life and fame with a techno flare and heavily produced backbeat. This begs the question: is life better with technology that complicates the simplicity of life?

Finneas tackles a cliché in “Love Is Pain”. The hauntingly beautiful song contemplates the mess of love with a lingering vocal arrangement that etches the rough edges of love.

“Everything is fine until your friend turns on a red light / You watch his car go up in flames / Love is a pain,” will send chills down listeners’ backs and haunt their thoughts for hours.

Halfway through the album, Finneas gives listeners a breath of fresh air with “Peaches Etude”, a complete piano instrument that creates a sense of warmth, comfort and hope.

Getting into the second half of the album is less satisfying and more predictable.

“Hurt Locker” exists in its own fantasy world, reflecting a difficult relationship that seems unrelated to a large audience to its eerily specific storyline.

In “Medieval”, he relates the current atmosphere of public life in medieval times. The artist relies on the fact that the people who build the celebrities are the very ones who bring them down.

While the lyrics don’t offer much variety, the song’s sheet music is crowd-pleasing and overwhelming in the best way.

The two skippable tracks return back to back with “Someone Else’s Star” and “Around My Neck”. Neither song adds to the overall impression of the album.

“Someone Else’s Star” sounds predictable and repetitive with lyrical sweetness and piano score, while “Around My Neck” breaks the trajectory of the album’s upbeat and hopeful appeal.

The surprise track is “What They’ll Say About Us”, which was released on September 3, 2020. It reflects the state of affairs in 2020 and what future generations will think of this year’s history. “What They Will Say About Us” calls on society to act to rewrite destiny and change history for the future.

The song perfectly captures the essence of the album title in its sheer optimism, while many of the album’s moody lyrics are too ironic for the title.

Finneas tries to leave the listener hopeful in “How It Ends”. Echoing the previous song, it turns its tune towards something more upbeat and pop style.

“Optimist” propels Finneas into the limelight as an artist unafraid to break the pop mold and carve out a foothold in the music industry.

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